Was the Ku Klux Klan (KKK) inspired by religious nationalism? A study of the KKK artifacts certainly seems to answer 'yes' to this question.
An artifact (or artefact in British English) is an artificial/manmade product as opposed to a natural product. According to Stanford Encyclopedia of Philosophy, Aristotle first made this distinction. Since artefacts are made, they have a maker and a purpose. Researchers learn about a society by analyzing its cultural artifacts as they reveal not only the intentions of their makers but also provide information about the specific functions they used to perform in that society.
Kelly J. Baker in her amazing article
The Artifacts of White Supremacy enlightens the readers about the purpose/meaning of the things associated with the extremist, white supremacist American organization KKK. Religion or more specifically Protestant religion formed a very significant part of the how the KKK understood itself and the purpose of burning crosses, robes and hoods was directly linked with their understanding of God, nation and the Protestant religion. For instance, Ms Baker informs that the revival of the KKK in 1915 started because of a vision that was thought to be divinely-inspired:
The second Ku Klux Klan (1915-1930) began with a dream. William J. Simmons, an ex-Methodist minister, fraternal organizer, and founder and eventual Imperial Wizard of the Klan’s Invisible Empire, claimed that his recreation of the Klan began with a vision on a summer night in Alabama. As he looked out a window, Simmons saw “something mysterious and strange in the sky”: horses “galloping across the horizon” with riders dressed in white robes. Then, “a rough outline of the United States appeared as the background.” Simmons watched as each “big problem” in “American life” shifted across the celestial map, and he “fell to his knees and offered a prayer to God.” He prayed to “solve the mystery of the apparitions he had seen in the sky” and vowed to build “a great patriotic fraternal order” as “a memorial to the heroes of our nation.”
These heroes were the members of the first Klan that flourished between 1865 and 1870. Simmons believed the earlier Klansmen fought for the vanquished (white, Protestant) nation, helped restore the divinely-ordained racial order and saved the nation from the iniquitous and malicious Reconstruction forced on the South by the North.
His religious visions and adoration of those first Klansmen, as well as the theatrical release and popularity of Birth of a Nation (1915), led Simmons to create the second Klan, a fraternity dedicated not only to white supremacy and social order but also nationalism and religious faith. On November 25, 1915, Simmons and 16 men climbed atop Stone Mountain, Georgia and lit a large wooden cross on fire. At midnight on that Thanksgiving night, these men pledged allegiance to the U.S. Constitution, American ideals, and “the tenets of the Christian religion.”.....
It’s noteworthy that Simmons’ vision included figures in robes and that the order started with a fiery cross. These are the most recognizable objects of the Klan past and present. His retelling of that vision and recreation of the order points toward an often-overlooked part of the history of the 1920s Klan: the reliance on artifacts in the order’s daily operations, meetings, naturalizations, marches, picnics, and other public events. These artifacts communicated the order’s ideals—Christianity, white supremacy, and patriotism—as well as their vision of America as a nation created and maintained solely for white Protestants.
Artifacts of the KKK
The artifacts of the KKK, like artifacts of other historical organizations, have remained the same but their meaning has changed over the years. Furthermore, the meaning of the artifacts for the KKK was quite different than what was perceived by others:
Yet, the meaning of an object is never settled, and often the story the Klan wanted objects to tell was not the one that everyone else heard. Robes, fiery crosses, and the American flag ended up telling competing narratives about the Klan’s idealized vision of white Protestant America and their promotion of intolerance and racism. The Klan couldn’t control how other people interpreted their actions or their objects, but that didn’t stop them from trying.
In the following section, excerpts from the article are reproduced to highlight the meaning of the different KKK artifacts. It is clear that the meaning of all these different artefacts was/is religiously-inspired.
White Robes
The infamous white uniforms were, and continue to be, the most distinctive feature of the Klan. The Reconstruction Klan created the distinctive outfit: long, white robes decorated with various occult symbols and tall hoods with aprons, or masks.7 The uniforms evoked the ghosts of the Confederate dead, and Klansmen employed them to terrify African Americans and sympathetic white people. The 1920s Klan adopted the uniform from the Reconstruction Klan, but also changed it to mimic the Klansmen in Birth of a Nation.
Imperial Wizard Simmons admitted that his initial purpose in adopting robes “was to keep in grateful remembrance the intrepid men who preserved Anglo-Saxon supremacy in the South during . . . Reconstruction.” However, the uniform’s importance grew and its meaning changed....No longer a ghoulish disguise, the robes became a sacred object....
According to an Exalted Cyclops (a Klan leader) from Texas, Klansmen wore “this white robe to signify the desire to put on that white robe which is the righteousness of Christ, in that Empire Invisible, that lies out beyond the vale of death.” Putting on their uniforms, then, commemorated the life and death of Jesus.
But more than that, to wear the robes was to wear Christ’s example on one’s body, to embody it. Each robed Klansman wasn’t supposed to appear terrifying, frightening, or dangerous, but Christ-like. The theology of the robes tried to counter the violent legacy of the robes’ use in the Reconstruction Klan’s terrorism. Klansmen imagined themselves as Christian Knights, who supposedly were beyond the violent legacy of the artifact.
Hoods
The mask concealed the members’ faces, wiped away the last traces of the individual, and allowed each Klansman to become part of the larger Klan community. While the mask protected the identities of members, the Klan also claimed that it symbolized the Klan’s dedication to selflessness. In the minds of the order’s leadership, each individual Klansman sacrificed a sense of self to become an active and valued member of the order.
The motto of the Klan—“not for self, but others”—was realized in the indistinguishable multitude. The Klan claimed that if the uniform terrified, it was only because the robes and mask conjured images of Christianity, Americanism, and white supremacy. The enemies of nation, particularly the Klan’s vision of the nation, would have rightly felt terror upon glimpsing the hooded Klansmen because of what they stood for. The uniforms did represent exclusion, after all. Unsurprisingly, the order favored its own interpretation of the Klansman’s uniform as an artifact of Christian brotherhood and selfless service rather than outsiders’ claims about terror and intimidation.
American Flag
In the Klan’s story, the flag became a powerful artifact created by a people’s love of their nation. The American flag, particularly, was an emblem of not only patriotic devotion but also the freedom and liberty of Americans granted by the founders. It was the physical symbol of the peculiar history and destiny of Americans, particularly white Americans....
For the Reverend W.C. Wright, a Klan minister, the flag was “purchased by the blood and suffering of American heroes,” which was the “price paid for American liberties.”...
The Kourier, a Klan national newspaper, demonstrated how faith was also a key component of the flag. The red stripes manifested patriotic devotion, even if this required “the shedding of blood.” The monthly noted, “We love Jesus because He shed his blood for us, and we love the Flag because it represents the blood shed for our freedom.” The stars in the field of blue came to represent “Him [God] Who is back of the stars in Heaven above.” The Kourier continued, “We may not all understand God alike, but we do believe there is a God, and we must admit that the bases of America’s Laws are the great moral laws of God. When any man turns his back on God [,] he turns his back on the Flag.”
For the Klan, belief in God was essential to citizenship. Yet, the Kourier wasn’t promoting a universal God that would be inclusive of citizens of all faiths, but rather understood Christianity as essential to Americanism. The monthly continued, “Pure Americanism can only be secured by confidence in the fact that the Cross of Jesus Christ is the wisest and strongest force in existence.” For the editorial staff of the Kourier, American nationalism couldn’t exist without Christianity. Under the Star-Spangled Banner, Americans might claim unity, but the Klan’s unity was narrowly limited to those people they thought qualified as truly American—only white Protestants.
KKK in Washington DC in 1925
The Cross (on flag and robes)
A deep red patch on the chest interrupts its [robes'] whiteness. Inside the patch resides a cross with a teardrop shape in its center. The cross symbolized the order’s commitment to Christianity while the teardrop symbolized the blood Jesus shed to redeem humanity...
The cross, which also appeared on Klan uniforms, echoed the order’s Protestantism and the magnitude of Jesus’s redemptive sacrifice. Interestingly, most Protestants viewed the cross as a potent symbol of “Romanism” until the middle of the nineteenth century, and Protestant churches avoided the object as a symbol of their faith.21 Despite the cross’s ambivalent history, the Klan claimed it was “the symbol of heaven’s richest gift and earth’s greatest tragedy.”....
The wooden artifact became a memorial of Christ’s debt, clearly attached to the Klansman’s version of Jesus. An Iowa Klansman wrote a poem about the fiery cross, claiming its light revealed that God controlled the universe. Its flames guaranteed that God would “redeem and regenerate the world.” For this particular Klansman, the cross promised that a “good” Klan would triumph over any “evil”: immigration, alcohol, threats to the public school, attacks on Protestantism, Catholicism, Bolshevism, and Judaism to name several. The Klan emerged as a force of good that would triumph in an increasingly unsafe world.
The Fiery (Burning) Cross
Imperial Wizard Simmons added the fiery cross to 1920s Klan’s rituals, but it was Thomas Dixon’s The Clansman (1905) that introduced the idea of the burning crosses as a part of Reconstruction Klan’s mythology. In the novel, the burning cross was a tool for Klansmen to communicate with each other, an attempt to connect the order to the Scottish clans of lore and larger history of Anglo-Saxons. The 1920s Klan adopted the artifact for ritual and as a warning....
For the Klan, the fire signified that Christ was “the light of the world” that vanquished darkness and evil. It was a beacon of truth given for Klansmen alone. An Exalted Cyclops [a Klan leader from Texas] reflected: ‘Who can look upon this sublime symbol, or sit in its sacred, holy light without being inspired with a holy desire and determination to be better man? By this sign we conquer.’ The Klan leader believed the fiery cross helped Klansmen become better men and confirmed that they were Knights ready to conquer forces that opposed their nation.
To conquer, or re-conquer, the nation for Protestantism, white supremacy, and “100% Americanism” was a clear aim of the Klan. Perhaps Christ’s light did emanate from the burning cross, but lifting up the fiery cross as a central symbol of the Klan was also an attempt to “rally the forces of Christianity” to take back the nation. Conquering required purging the “hordes of the anti-Christ” and the “enemies” of Americanism from America.26 The cross served as beacon and warning. For Klansmen, its glow provided comfort, but for those “enemies,” the fire terrified.